“Old Master” V1.0.2

An experiment with multiple exposures led to an image that resembled a somewhat abstract J.M.W. Turner painting. I was intrigued to see that it was almost impossible to understand the nature of the source material once enough layers are added into the composition – You glimpse vague details, but see nothing of the whole.
What would happen if I were to slowly strip away the source layers – at what point would the source begin to reveal itself?
Part of the Slow TIme / Pattern Recognition Project.

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